Tag Archives: rock

Edmas 2019: Christmas In 8 Minutes

santaball.pngWe’ve made it! Another year is in the books, so it’s time for yet another Christmas EP! This one was fun to make… and a bit of a workout, too. The theme this year wasn’t readily apparent when I just looked at the songs I picked, but it emerged as I was putting it together. Since two of the four songs don’t really have a whole lot going for them, the name of the game wound up being SPEED. In terms of tempos, this is quite possibly the fastest batch I’ve ever made. The click track was set at over 300 beats per minute for two of them… Enjoy!

Nuttin’ for Christmas

I Saw Mommy Kissing Santa Claus

Mele Kalikimaka

Frosty the Snowman

Recorded and mixed at The ‘Berger Joint, Rochester NY, October-November 2019. Additional vocals/yelling in “Nuttin’ for Christmas” and “Frosty the Snowman”: Ed, Rob Klingenberger, Sarah Klingenberger, Erika Bryan, Steve Begy, Adam Donnelly, Tom Klingenberger, Karen Klingenberger, Cameron Cole, Jake Butcher, and Jeremy Schlierf. Cameron, Jake, and Jeremy were recorded at The Cole House, Clarence Center, NY, November 2019.

Distinct Kicking Motion – Just Happy to Be Here

NEW ALBUM on Bandcamp now!

This album is my entry into the 2019 RPM Challenge. Since it’s done, I thought I’d give a quick track-by-track breakdown.

“Happy Song”

This song spawned from this Instagram post. The background noise was my super bowl party (recorded with their permission) and I also got them all to yell at me. Nobody seems to turn down a chance to yell at me on my recordings… My brother did the whistling because he’s better at it than I am. The sucker punch of the metal band at the end (it is, indeed, a trappy song) works as a direct segue to…

“Swimming Patterns Against the Tide”

A good friend of mine gave me the title without hearing the song. These are some of the last lyrics written for the project, so this wound up bringing a few other tunes together. Recorded on a 7-string guitar in standard tuning.

“The Irish Goodbye”

I came up with the verse and chorus riffs in early January but didn’t get the lyrics until the middle of February. I thought I was gonna have to scrap it until I woke up one morning with “When it all comes crashing down you’ll know just where to go” in my head.

“Video Games”

I wrote these lyrics as a petulant six-year-old. I work with kids for a living, so getting into this character wasn’t too difficult. This is on the 7-string again, but in drop-A tuning this time. Also, that’s a PS4 controller at the end.

“Grounded For Life”

I had to have at least one uptempo punk tune on this record. I unabashedly love poppy songs played way too fast. The thought of starting every verse with “Everything sucks when…” made me laugh so I had to use it.

“Tap Into the Potential”

I came up with the verse riff at work. I teach private lessons for a living so I literally have to play guitar every day… and that day a student or two got to witness me go “whoa that’s cool I gotta remember that.” I rarely write songs about music, so this was a conscious decision to make an exception. For the record, “the driver song” is “Jerry Was a Race Car Driver” by Primus and “the side two thing” is the Abbey Road medley. I changed the end of the last verse to “you’ll find them soon” from “stop lying please” after thinking about my line of work.

“Meteor Shower”

This one stemmed simply from a desire to have at least one acoustic song on this record. I’m a huge fan of Opeth, both heavy and acoustic, and this was definitely inspired by their quieter work. Incidentally, the hand drum on this song is a darbuka. Snow is a running theme on this record because I live near Lake Ontario and we get a bunch of it every year…

“Take the Stairs”

I’m a huge prog and metal nerd, but sometimes you just gotta sit back and groove. I wasn’t too sure about this one – admittedly, I almost cut it – but it found a home and it’s still pretty fun to play.

“Encased in Ice”

The chorus riff was the first one I ever demo’d on my iPad back on New Year’s Eve… so, naturally, these were the last lyrics to be written for the album. Another influence is worn on the sleeve – Gojira this time. Were I to do this song again, I’d hook up a second amp and essentially quad track the guitars instead of merely double tracking. It’s in Drop-D tuning, so you know we’re being serious here.

“Restless”

Every Distinct Kicking Motion album and EP has at least one instrumental on it. I love instrumentals, I love odd time signatures, and I love 8-string guitars. Put that all together and you get this! I didn’t intend on making the instrumental the longest song on the album, but I’m not complaining about it either. I tend to pace when I get restless, so I automated the panning on the beginning guitar to do exactly that.

“Luna”

Heavily inspired by two bands – one current (Astronoid) and one from the 90s (Hum). The main rhythm guitars played the same chords in different positions and there’s also a clean guitar buried in the mix. That clean guitar is a Gibson SG – my workhorse for almost all of the record – and the rest is my 8-string.

“Blanket Fort”

This one hurt to record and it was completely worth it. That same friend who gave me that song title towards the beginning of the record and I had talked occasionally about building blanket forts and I guess it stuck with me. And right on cue, a massive snowstorm hit my hometown mere days after I wrote this song. Another influence shines through here – this may be the most Porcupine Tree-esque song I’ve ever written.

So there’s my album. If you’ve listened, thank you. If you made it to this point in the blog, thank you again. This was a ton of fun to make and I’m thrilled I found the RPM Challenge. See you next year?

I Don’t Wanna Hang Out With You

Here’s a thing I made!

I thought I’d try my hand at a lyric video…

Originally the B-side to “I Wanna Go Outside”, this is also one of the few Distinct Kicking Motion songs I’ve had the chance to play live. Check it out, hope you like it, and let me know what you think!

Side Effects May Include…

Today, the Laryngitis EP concludes.

This song being here is proof that sometimes chronological isn’t the best order for music. This closing track was written before each of the previous three AND was recorded on the same day as “Laryngitis” (I had the day off from work that day). The impetus for this one came simply from looking at my lap steel and deciding to use it again. Then, to take the tune to the next level, I took my Gibson and put it in Open-D tuning to match the lap steel. The final piece that really put this one over the top is the solo in the whole-tone section – I received an Otamatone this past Christmas and it finally made its recording debut here.

As always, thanks for listening! Feel free to let me know what you think. Have a good one and I’ll see you soon.

NEW ALBUM! Distinct Kicking Motion – Greatest Hits

Surprise! Today, I’m releasing a new album! Here’s a video about it AND a link to the Bandcamp page.

This is Distinct Kicking Motion’s first non-concept album, 14 tracks long and spanning a decade of my songwriting catalog. The oldest song on this album dates all the way back to 2006 and the newest was written in 2016. I’ve been sitting on this album for a while, debating wether or not to make physical copies, but I decided to release it online anyway. It’ll be wherever else you like to stream and download your music in the coming days (links to those will be in the video’s description). Thanks for reading and listening and I hope you enjoy! See you next week with the final song from the Laryngitis EP.

The Waiting Room

The instrumental EP continues!

I knew I wanted to mix it up with something mellow about halfway through the EP. This one really came about after thinking about my favorite Dredg album and all of its little incidental tracks, all of which are less than two minutes. So… why not keep that mellow thing about halfway through nice and short? After I put that chord progression together, the title practically suggested itself. Were I ever able to afford pressing this EP on vinyl, this would definitely be the last track on Side A.

As always, thanks for listening! Feel free to let me know what you think. Enjoy the start of summer and I’ll see you soon.

Edmas 2017: Christmas In 8 Minutes (And 9 Seconds)

santaball.png At long last, the wait is over. Time for this year’s Christmas EP! I was more prepared than usual this time around – This year’s songs were actually picked last year. Since I enjoyed the themed batch then, I decided to do it again this year (and next year, too – you’ll find out then). This year’s theme: Presents. Three of the four songs have “I Want” in the title and the fourth is the old chestnut that I somehow hadn’t touched until this, the tenth(!) batch. All the hallmarks are here, just waiting for you to find them. Enjoy!

I Want a Hippopotamus for Christmas

All I Want for Christmas Is You

All I Want for Christmas Is My Two Front Teeth

The 12 Days of Christmas

Recorded and mixed at The ‘Berger Joint, Rochester, NY, November 2017. Additional vocals/yelling in “All I Want for Christmas Is You” and “The 12 Days of Christmas”: Ed, Rob Klingenberger, Sarah Klingenberger, Adam Donnelly, and Brandon Fess.

Distinct Hitting Motion: Ever Onward

After seven months, Distinct Hitting Motion finally reaches its end.

From the onset, this tune was going to be the longest one in the project. For one, it seems to make sense that the closing track is the longest… especially with how long most of the postseason games took. For another thing, I fully admit I was thinking a lot about the band Coheed and Cambria, particularly their song “The Light and the Glass” which clocks in at over eight minutes. Of course, I can’t sing nearly as high as Claudio Sanchez, but…

The lyrics were written in one night, the music was definitely not. The first half of the closing riff and the opening bit both came to me while I was at work – the benefits of teaching private lessons for a living! Musically, the biggest challenge was bridging the gap between those two parts. Lyrically, the biggest challenge was just getting started – that “struggle to find the words to say” line was both a snapshot of me at that moment and the catalyst I needed to get the ball rolling. Go figure, huh?

As always, thank you for listening! Feel free to share and let me know what you think. Have a good day and I’ll see you again soon.

Distinct Hitting Motion: Final Four

We’ve made it to the semifinals. Time for something completely different!

I knew in this spot I wanted to do something poppy, especially after how the last song ended. Couple that with the fact that everything so far was played straight with no real shuffle/swing feel and this one nearly wrote itself. To really compliment this, I decided to gleefully ignore the music theory rules of diatonic harmony and go nuts with chords that “don’t belong” in the key of G. Lastly, I realized that the bridge was an excellent time to call back to the first song, complete with solo.

Lyrically, this one’s completely straightforward. They’re among the final four teams! Hooray! Too bad they’re losing…

This song’s recording trick (besides all of the vocals, most of which are intentionally buried in the mix):  The guitar solo on this recording was the first take… but I felt it didn’t have enough dirt. So, solo’d the track, ran a cable out from my interface, and recorded the solo going through my Orange amp. It didn’t add a lot of dirt, but it was enough to separate it in the mix. Also, for you guitar freaks: The left guitar is the Gibson, the right guitar (and the solo) is the Telecaster. Both rhythm guitars had the pickup switch in the middle position. See if you can hear the difference!

As always, thank you for listening! Feel free to share and let me know what you think. Take care and come on back in two weeks for this project’s finale!

Distinct Hitting Motion: After All That Work…

It’s the playoffs! Ten teams qualified and four of them get… a winner-take-all game. Well then…

My preamble there tells you exactly where this comes from. Think of this as the anger of the wild card winners’ fans for all that time spent in the regular season earning them… one lousy game. To make matters worse this year, both home teams won the wild card games, meaning the second wild card winners didn’t even get a playoff home game!

Musically, this one was highly inspired by Strapping Young Lad, which explains both the drastic dynamic shift right at the beginning and all of the layers. There were an awful lot of tracks for a song so short… This song’s recording trick: The initial rhythm guitars didn’t have the articulation I wanted, so I tracked them again through a Roland Micro Cube. I kept the originals, so there are four tracks of rhythm guitar on this sucker.

As always, thank you for listening! Feel free to share and let me know what you think. Have a good day and come on back next week for something totally different!