Football Week, Part 4: Red Eye

Today’s entry is noteworthy for one big thing: This is the song that started The Football Project. In September of 2003, I was watching the first week of the new Football season. The first half of the game on TV was a lot of fun, but I got bored during the second half. So, in an effort to combat this boredom, I grabbed my trusty 5-string bass and started noodling around while the game kept playing. The rest, as they say, is history.

Production, mixing, all instruments by me. From The Football Project. Recorded on a 4-track at SUNY Purchase in 2003. Instrumentation note: This tune’s setup is two basses, guitar, and percussion.

Red Eye

Football Week, Part 3: Three And Out

“Three And Out”… perhaps one of the most avant-garde pieces I’ve ever done. The idea here was to make a musical representation of a “drive” that goes nowhere and forces a punt. The nice latin-y muzak-y sections of the song are the moments when the teams are in their huddles. Here’s what I imagine happens: First down was a run that gained a couple of yards, second down was an incomplete pass, the quarterback was sacked on third down, and the punt return featured a lot of cuts and moves but didn’t actually go anywhere. The bit in the fade-out is a parody of a horrible beer commercial that originally showed up in the track called “…And A Word From Your Local Station.” And now you know… the rest of the story. Enjoy!

Production, mixing, all instruments by me. From The Football Project. Recorded on a 4-track at SUNY Purchase in 2003.

Three And Out

Football Week, Part 2: Football Before Football

Admit it: you don’t pay attention to the pregame shows, either, do you? I know I don’t. At least, not anymore. I did pay attention to a pregame show one week in 2003 and this track is the result of my bad judgment. The script was completed before the games started and I knew I had recurring characters after this track’s reception in that week’s Masterclass. Since then, Babblin’ Bob Brown and Jumpin’ Joe Jehusephat were featured in four additional tracks and made a cameo in a fifth. So, I guess it worked out allright, huh?

Production, mixing, all instruments and voices by me. From The Football Project. Recorded on a 4-track at SUNY Purchase in 2003.

Football Before Football

Football Week, Part 1: It’s Football Time

It’s the week before That Big Giant Football Game That We Can’t Reference Without Paying Somebody For It. Sooo… how about a week of Football tunes? Today’s song is a parody of those horrible songs about football used in commercials and game lead-ins, complete with bland guitar riffs, empty threats, an absurdly forced rhyme, and a singer who would rather be anywhere but in that studio at that moment recording that song. I think I got my James Hetfield on pretty nicely in a couple spots here…

Recording, mixing, all instruments by me. Part of The Football Project 2. Recorded in 2004. The drums were cut on a 4-track and flown into Pro Tools, where everything else was done.

It’s Football Time

The Usual Riots

I’m digging back into “Dancing For Patriotism” for today’s song. Because I was channeling my inner Dillinger Escape Plan for the album, odd meters and time changes were very abundant throughout the whole proceedings. This tune is a good example of that – the opening riff alternates between 6 and 5 and the sung sections’ riff goes back and forth between 5 and 6. Oddly enough, I found the melody line more difficult to record than the drums in those parts…

Drums recorded by Rich Wattie in Montage Music Hall, Rochester, NY. Everything else recorded at home by me. All instruments, mixing, lead vocals by me. Additional vocals by Adam Donnelly.

The Usual Riots

Paging Dr. Hoover

To “celebrate” Monday, I give you one of the strangest songs I’ve ever written. I kept hearing this “‘Bring me your cellulite and I will’ *metal*” idea in my head, so I had to use it. As the glorious song title and the first lyric line might detail, this song is about a somewhat emotionally disturbed liposuction doctor… who, for some odd reason, runs his practice in a mall. In true strange song and prog-metal fashion, not a single measure of 4/4 time is to be had here. Enjoy!

Drums recorded by Mike Huurman at The Dank Pit (r.i.p.), everything else recorded by me at home. All instruments, mixing by me.

Paging Dr. Hoover

Throw The ‘Mote (And Some Gig News)

MORE METAL! This is another track from the album “Bowling Is Metal” slated to make the …Of Doom! set list. The non-musical inspiration for the album – besides the “sport” in general – was the game Wii Bowling. When the console first came out, there were many stories about their controllers being thrown and breaking lamps and TVs and stuff… so I wrote a song about the phenomenon. Drums recorded by Mike Huurman, everything else recorded by me. All instruments and mixing by me.

Throw the ‘Mote

GIG NEWS: I will be playing percussion for my friend Daniel Ball Jr. at Spot Coffee in Rochester, NY on Saturday, January 23rd at 8pm. Admission is free.

MORE GIG NEWS: I will be playing drums for Yeah! Pete Johnson at the Buffalo Museum of Science on Sunday, January 31st at 2:30pm. Museum admission is $8 per adult. Check ’em out!

Plight of the Wild Card Teams (You’re Just Gonna Lose Next Week)

In honor of the wild card teams going 1-3 over the weekend, here’s a song I wrote about that phenomenon back in January of 2007. I was recording a small Football Project at the time. The statistics in the second round of the playoffs heavily favor the home teams, so I figured why not write a song about it? Incidentally, the “Watch out for Tigger!” towards the end of the track is a reference to news of a Disney World employee in the Tigger costume punching a 13-year-old boy in the face. Production, mixing, all instruments by me.

Plight Of The Wild Card Teams (You’re Just Gonna Lose Next Week)

The Voices Tell Us to Burn Things

Here’s another track from 2007’s “Dancing For Patriotism”, and one of my favorites from that album. One of the things I tried to do with this song – and I’d like to think I succeeded – is to be patient with some musical ideas, but not to an extent where the song drags on and loses its punch. Lyrically, we can put this in the pantheon of “Ed’s Songs That Sound Serious But Don’t Actually Make Any Sense” (though the title probably gives that away). Structure-wise, it’s one of the longest intros I’ve ever done. Enjoy!

Drums recorded by Rich Wattie in Montage Music Hall, Rochester, NY. Everything else recorded at home by me. All instruments, mixing by me.

The Voices Tell Us to Burn Things

None Shall Be Spared

Here’s another track from the album “Bowling Is Metal”. This song will also be on the set list when …Of Doom! starts to play shows. Blame my cousin Jason for the bad pun in the first line of the first verse. The worse pun in the song’s title, though, is completely my fault.

Drums recorded by Mike Huurman, everything else recorded by me. All instruments and mixing by me.

None Shall Be Spared